The Beauty of Comments

I don’t get many comments here on That makes sense, since this blog is new, not very active, and probably only read by close friends and such. Still, a few people seem to have come across various posts for whatever reason.

Yesterday one gentleman found my review of Rock Band in which I take a very unfavorable eye towards Coheed & Cambria. Initially, I wasn’t going to release them, but upon consideration I should. I should also respond to them. So, he’s going to get the FJM treatment.

Ok… so, what I just read… was that a review?

Yes. Yes, it was.

It seemed more like an attack.

Admittedly, it’s a biased review. It’s an emotional review. It’s a review from my perspective and response to the music. It’s a personal opinion. But it’s not an attack. It is not an attempt to damage the members of Coheed and Cambria, at least no more than any other critical review. If I wanted to attack them I’d use, I dunno, a laser sword or something.

It also seems to me that you must spend a little too much time sitting at your computer or playing that beloved RB (it is awesome, I’ll admit it).

You forgot that I’m in my mom’s basement.

Coheed and Cambria are a hugely succesfull band, not just in album sales (over 1.5 million stateside alone)

He’s correct in this. They had an album go gold, and then the first Good Apollo album went platinum. That does mean that they’ve sold at least 1.5 million copies. HOWEVER it’s worth noting that the second Good Apollo album, even after over six months in release, has just managed about 150,000 sales, a significant step down from the previous album. Worldwide it’s sitting a bit over 300k. These are fine numbers, and indicative of success, but let’s be clear, it’s not setting the world on fire.

but as a live act as well, selling out venues of sizes ranging from mid-size clubs to arenas and amphitheaters.

I can’t confirm or deny this. It’s probably true. Is it a valid point, though? I don’t think so, but more on that below.

While I’m not the biggest fan of the band (I enjoy the music and story, even Claudio’s vocals… just not a big punk/metal guy) I have to give credit and respect where it’s due.

Fine credit where it’s due: Coheed & Cambria are able to sell music.

Guess what. N’Sync could sell music. No Strings Attached sold over a million copies in a DAY and over two in a week. It sold over 15 million copies total world-wide. As a band, they’ve sold 56 million albums worldwide since 1995 (accepting that they haven’t been together for about half that time.)

And they aren’t even the biggest act in their genre. The Backstreet Boys sold 37 million albums in the US and over 100 million worldwide.

Or from the standpoint of concerts, Coheed & Cambria don’t hold a candle to Miley Cyrus, who’s sold out every show in huge stadiums to the point that she’s increased a recent tour from 55 to 69 dates AND they made a movie out of it just to try and meet demand. That movie, BTW, garnered $31 million in three days, the biggest opening for a film under 1000 theaters. She’s also sold 8 million albums worldwide, and 3 million in the US.

If we’re looking just at the business side of things, Claudio Kilgannon is absolute shit compared to Hannah Montana.

Now my question to you is exactly where the fuck do you get off bashing a band you’ve never listened to outside of one song on a video game and their comics, which you’ve never read.

My criticism of C&C was largely centered on the fact that Welcome Home is an atrocious song. Everything else is extrapolated from that. In order to understand the depth of how bad it was, I needed to research a bit. While that research didn’t extend to finding and buying the comics, online material seems to be fairly comprehensive in establishing that The Amory Wars is a fairly tepid science fiction entry that isn’t establishing anything new.

I can find bad sci-fi very easily, and I don’t need to pay for it.

I imagine you to be a fat, slobby, loser of a guy.


I would have been put off by reading this sort of review of anything.

Put off what? Put off giving C&C any money to peddle their at-best-mediocre wares? Then my work here is done.

To keep it short, shut your fucking mouth if you don’t know what you’re talking about.

Y’know, I think I’m going to keep talking. How about I go off half-cocked on a rant without taking full consideration for both my own opinion but also the status of that which I am criticizing.

Oh, wait.

Or just shut your fucking mouth… you’ll catch flies.

True story: I once spent a good portion of a family reunion catching flies with my bare hands. Then I taught some younger distant cousins to do the same.

I did wash my hands afterwards.

Arrogant piece of shit.

I have many vices. Arrogance isn’t generally one of them. In fact, I probably have a nearly crippling lack of self-confidence.

Amusingly enough, Mr. Brent C. came back nine minutes later and added more:

Oh and p.s….

Pedantically, it should probably just be P.S. and then “Oh, …”

Also, an ellipse only has three periods. I’m quite curious why both his posts started with a double-ellipse sentence. It’s like he’s gearing up to think about his point.

I just looked up the numbers…

Yay, numbers! I love numbers!

the first five issues of The Amory Wars (which I haven’t read either, I’ll be honest) have sold over 700,000 copies since their beginnings last year

Really? A five issue series moving 700k copies? SURELY I’d have heard about such a stellar-selling series somewhere in all of the comic news I come across. That’s an average of 140,000 copies an issue. Or roughly the same as what Final Crisis #1 sold.

Let me question. Are you seriously suggesting that an independent, non-superhero comic book tie-in to a musical act is selling on par with DC’s top-tier summer event series?


Well, okay, then.

and have been released as a trade paperback graphic novel.

Correct. I actually saw it in my local comic shop. I cringed.

The first issue of Volume II is due to come out this week

Fair enough. We’ve established that it’s either successful enough to warrant a second series OR that it’s a really big vanity project.

and Hot Topic (that shitty little store in everyone’s mall)

I’m not sure what you’re getting at. Is Hot Topic a shitty store? Or is it successful because it’s everywhere?

has taken 138,000 pre-orders since June.

That’s a lot of pre-orders for a comic book. I’m really doubting them, as well. A search on Amory Wars sales numbers didn’t bring up anything to cooberate this information.

In fact, a check into ICV2’s sales charts for comics and graphic novels shows that in April, the TPB of Amory Wars volume 1 moved about 2500 copies. This is a perfectly respectable number, and shouldn’t be marked as bad. It’s also just for the direct market. Some titles sell considerably better outside comic book stores, but those are usually Naruto and such. Even if I grant that the sales are going to better in bookshops and Hot Topic, I’m not seeing them hit much more than three or four times what the DM moves.

As far as the comic, the fifth issue sold about 6000 copies in the DM in January. This is down from the 10,000 that #1 sold last June. In fact, except for issue 1, all the issues sold around 6k copies. A five issue title that moves 35,000 copies isn’t bad, and for an indie project it’s fine, but it’s not breaking out. Hell, DC Vertigo tends to cancel titles that move so little, because they can’t make their money back.

Again, even if we allow¬† 2-3 times more than that outside the DM (and issues sell considerably worse than TPBs do, comparitively, outside of comic book stores), we’re still not getting into 700,000. We’re not even at 140,000. For the whole series.

For the mathematically deficient: 35,000/700,000 = 5%.

By the available information, we can confirm that The Amory Wars is at least 5% of Brent C.’s claimed success point.

My point is… these guys are highly successful and talented, obviously.

They are successful. I do not debate that. They are not as successful as a number of other musical talents or a number of other comic book talents. If we’re equating their success to an absolute value of their talent, they’re probably firmly middle of the road.

In comparison, Rob Liefeld is an astronomically more talented comic book writer, and N’Sync are significantly better musically.

Hey, it’s not my argument.

In my previous post, I even allowed that there is some musical skill to C&C. That skill doesn’t extend to lyrics or vocals. (And in the intervening time, I’ve come to realize that even as a musical construction, Welcome Home is absolute shit. However, the guys playing the instruments aren’t bad.)

You blog about comics and movies.

I do. And video games. From my mom’s basement.

You talk about the self-injection

Self-insertion. Self-injection sounds like something heroin junkies do.

story line or whatever you called it with such disdain as if you yourself were not suffering from some pretty serious delusions of grandure.

Grandeur. Which, no, I don’t have. Lovely logical fallacy, by the way.

Arrogant piece of shit.

Repetition for the win!

2 thoughts on “The Beauty of Comments”

  1. Ken Tremendous would be proud. The N’Sync and Miley Cyrus references were a nice touch. Bravo.

  2. I agree wholeheartedly with Liz. Especially about the Hannah Montana bits.


    (My Turing test words include “Falkenberg.” How creepy is that?)

Leave a Reply

Your email address will not be published. Required fields are marked *