That being said, it’s probably not cool to bash something you’ve only heard a few minutes of. Claudio’s got a surprising range, it’s just odd that the songs like “Welcome Home” and “A Favor House Atlantic”, which happened to be two popular singles off of “Good Apollo” and “In Keeping Secrets of Silent Earth: 3″, respectively, happen to have abnormally high vocal parts. I don’t get it either. But then again, I do like Rush and Our Lady Peace, so who knows. Maybe I’m biased.

Give “In Keeping Secrets” a good listen-through, I think it’s a severely solid album that covers a wide range of creative area.

At least taste the food before you say it’s horrible, just don’t smell it.

*smirk*

(My Turing test words include “Falkenberg.” How creepy is that?)

My point is… these guys are highly successful and talented, obviously. You blog about comics and movies. You talk about the self-injection story line or whatever you called it with such disdain as if you yourself were not suffering from some pretty serious delusions of grandure. Arrogant piece of shit.

Now my question to you is exactly where the fuck do you get off bashing a band you’ve never listened to outside of one song on a video game and their comics, which you’ve never read. I imagine you to be a fat, slobby, loser of a guy. I would have been put off by reading this sort of review of anything. To keep it short, shut your fucking mouth if you don’t know what you’re talking about. Or just shut your fucking mouth… you’ll catch flies. Arrogant piece of shit.

And it’s looking like about 85% of the audience was women.

I’ll have a monthly estimate recap soon.

It certainly wasn’t drawing in any men — the showing I saw (sold out 2 days in advance) had maybe 5 men in a 400 seat theater. It was almost all thirtysomething women, dressed up for martini and movie nights.

I’m wondering if the phrase “from the Academy Award-nominated director of Pan’s Labyrinth” might add a little more to the take.

The quality of most of his films isn?t there, with offerings like Daddy Day Care and Norbit being derided by almost everyone.

I’m wondering if the phrase “from the people who brought you the Academy Award-nominated Norbit” might make people explode with laughter.

Hancock also piques my interest, because of the combination of Will Smith and Peter Berg.

Which is exactly the kind of score I would expect for the guy who managed the wonderful score for The Incredibles, which used the exact same sensibility.

This movie was an excellent way to pass two hours, provided you find the biggest screen possible (IMAX preferred). After those two hours, you never need watch it again.