Here there be spoilers.
Now that I’ve had a night to think about it, I’m not actually sure if I liked the movie or not. And I don’t think it’s a case of really disliking it and being in denial. I really, honestly don’t know. To be fair, though, after I saw Man of Steel the first time, I was unsure about the movie.
Part of this, I think, is the presentation seemed to be very poor. The theater house lights never dimmed entirely. The sound mix seemed off. I think they had the aperture on the projector on incorrectly, which slightly cut off the top and bottom of the screen. (Noticeable in the scenes of news shows, where the bottom of the text was cut off.) And maybe they had the 3D grate down or something, because it seemed dim, especially compared to trailers I’d seen previously.
So, fighting against a sub-par movie experience. And I don’t want to hold that against the film itself.
Still, this was an acknowledged mess. I came away mostly thinking that they did have a pretty strong idea of what they wanted their characters to present as… but had no real clue how to get those ideas across the best. Many of the scenes felt like they were sketched out without a clear beginning and end, and we’re left with a feeling of a larger whole where we’re only seeing a few random middle bits. It’s not that the character motivations are lacking, just that the elements shown aren’t what drive those points across.
In a way, this is confusing, because when you strip it down, the plot of BvS is pretty great: Lex Luthor has a problem with Superman, so he sets up a Xanatos Gambit to put him in conflict with Batman. Eventually, they realize their error and team up.
Unfortunately, in order to get this across, you need a strong bifurcated storyline: Superman’s heroics need to progress in contrast with Batman’s investigations. The two should advance in a way that feels like they’re converging on the same point. Then you get the twist: instead of working separately against a common goal, they’re actually at odds against each other. This is how you get the fight that feels both surprising and organic. Also, this should come to head at the end of Act 2. Act 3 is the team-up.
The problem arises rather early. The entire Africa plotline feels needlessly busy and extraneous, especially since MoS already presented a very good reason for people to question Superman already. Then as the movie progresses, it seems to be too early when we’re seeing Lex’s gambit in action. Thus it isn’t a surprise about what happens. Thus we get a confusing selection of character actions that are clearly leading somewhere, but the film itself doesn’t seem clear on what that goal actually is.
So here’s what I think happened. I think David Goyer wrote a Man of Steel sequel. It was a Superman plot through and through. You can look at the throughline of Supes and Lex and see that it’s pretty clear that exists. In this context, Lex’s plan is entirely put public doubt in Superman, make him the blame of things going wrong (that are Lex’s doing), and then when that doesn’t work, bring out his ace in the hole, Doomsday, to kill Superman.
Then WB got nervous and decided to add Batman into the mix. And all hell broke loose. Because by adding Batman, you need to account for his motivations. And while there is a disagreement plot to be had, it wasn’t in the original script. So Goyer (and later Terrio) were doing the best they could with the plot at hand, but it was a confusing, tacked-on selection of motivations and character impetus that ultimately sets the original plot on a wobbly course.
In fact, if you look at the film, the interactions between the two characters is pretty sketchy prior to the final fight. They meet at Lex’s party (and in Batman’s dream), but that’s about it. It really feels like two different movies that more or less are happening at the same time. Or, perhaps more appropriately, this is a Superman movie that seems to star Batman for reasons that are not entirely clear from the film itself.
It’s entirely possible that the director’s cut, with ample time to explore the motivations and plots, will clear up the confusion. It’s not that they necessarily needed that extra time, but if they didn’t have a clear plan from the get-go, it could help work through all the excess they were dealing with. We’ll have to wait and see. Unfortunately, even if the DC is a vast improvement, it’s not going to help. Most of the audience will see it in the theaters, and their opinions will be pretty firm. I doubt many are going to give it a second chance, especially if it’s longer.
With all that, what did I like?
Well, I do like the cast. They’re all pretty great, especially given the weirdly limited material they have to work with. Affleck makes a great Batman. Irons a great Alfred (in fact, he had most of the best lines in the film). Eisenberg is weirdly compelling at Lex. Adams as Lois continues to give me heart eyes. And Cavill continues to sell what is a difficult role.
And, of course, Gal Gadot is glorious as Wonder Woman. Messy as the film is, it isn’t confused at all when she’s on screen. When she shows up for the final fight, everything just sort of clarifies. Even the entire tone of the music changes, as if to say, “This is what we are here for.” And it is. The criticism of the DC films is that they’re afraid of letting their heroes enjoy themselves. That’s entirely absent with Wonder Woman. She fights and has fun at it. She alone is enough reason to be excited about what the DC films will bring in the future.
I doubt I’ll see BvS again theatrically. That’s mostly for financial reasons, though. I really would like to give it a second shot in a presentation that isn’t marred by the theater itself. I wonder if, like Man of Steel, it’s something that I warm up to over time and begin to love. I’d also like to see the director’s cut to see if that smooths out some of the story issues. Maybe if there’s another $10 blu-ray at Best Buy.
Still, I honestly don’t know if I like it or not.